REPERTOIRE
Slideshow
02 urgrund
A young composer, caught in the process of creation, begins to lose himself within the question of why we create at all.
What begins as an attempt to give form to inner thought slowly turns into an obsession with origin, expression, and the compulsive need to externalize consciousness itself.
The collection traces the tension between creation and self-construction — between authentic inner reality and the aesthetic structures through which we attempt to understand ourselves.
The collection traces the tension between creation and self-construction — between authentic inner reality and the aesthetic structures through which we attempt to understand ourselves.
Slideshow
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No conclusion is offered.
Only the lingering question of whether creation reveals the self —
or merely conceals it more elegantly.
Slideshow
to open our doors, we wanted to tell a lot of stories...
the castles of bavaria do not only hold history, they are warped by myths and tragedies
01 tales
....seated in wealth and isolation, consumed by his own dominion. What begins as control decays into obsession, then cruelty—until the castle itself becomes a nightmare, and he its architect. Pleasure twists into violence, and the surrounding landscape remembers him as something monstrous.
...confined within its vast silence, grows up not in power but in absence. Beyond the walls, there is a person he loves—distant, unreachable, perhaps only imagined. The architecture becomes emotional rather than political: stone as separation, corridors as longing. What shapes him is not madness, but an ache for love that never arrives, a sadness that fills every room like air.
Slideshow
Both versions exist at once, unstable, overlapping, impossible to fully separate.
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